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Design your own scale
C Aegean 20
C3/ E3 (F#3) G3 (A3) B3 C4 (D4) E4 F#4 G4 (A4) B4 (C5) (D5) E5 F#5 (G5) (A5) (B5)
C Ashakiran (Major) 17
C3/ (D3) (E3) F3 G3 A3 B3 C4 D4 E4 (F4) G4 (A4) (B4) (C5) (D5) (E5)
C Golden Gate 9
C3/ E3 G3 B3 C4 D4 F#4 G4 B4
C Golden Gate 11
C3/ E3 G3 B3 C4 D4 F#4 G4 B4 C5 D5
C Ursa Minor 11
C3/ G3 G#3 C4 D4 D#4 F4 G4 G#4 C5 D5
C Onoleo 16
C3/ (E3) (F3) G3 G#3 C4 (C#4) E4 F4 G4 G#4 (B4) C5 E5 F5 (G5)
C Major 17 - No Top Ding
C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6
C# Aegean 18 - Kiril Osherov Signature
(B2) C#3/ (D#3) (F3) G#3 (Bb3) C4 C#4 (D#4) F4 G4 G#4 C5 C#5 F5 G5 G#5 C6
C# Amara (Celtic) 16
(A2) (B2) C#3/ (E3) (F#3) G#3 (A3) B3 C#4 D#4 E4 F#4 G#4 (A4) B4 C#5
C# Annaziska 9
C#3/ G#3 A3 B3 C#4 D#4 E4 F#4 G#4
C# Annaziska 16
(B2) C#3/ (E3) (F#3) G#3 A3 B3 C#4 D#4 E4 F#4 G#4 (A4) C#5 (D#5) (E5)
C# Pygmy 17
C#3/ (D3) (E3) F#3 G#3 A3 (B3) C#4 (D4) E4 F#4 G#4 A4 (B4) (C#5) (D5) (E5)
C# Raga Desh 9
C#3/ F3 F#3 G#3 B3 C#4 F4 F#4 G#4
D2 Minor 15
D2/ (A2) (C3) D3 (F3) G3 A3 Bb3 (C4) D4 F4 G4 A4 (C5) (D5)
D Aegean 20
(B2) D3/ (E3) F#3 (G#3) A3 (B3) C#4 D4 (E4) F#4 G#4 A4 (B4) C#5 D5 (E5) F#5 G#5 A5
D Amara (Celtic) 10
D3/ A3 C4 D4 E4 F4 G4 A4 C5 D5
D Amara (Celtic) 19 - Gabriel Balasa Signature
(A2) (C3) D3/ (E3) (F3) (G3) A3 C4 D4 E4 F4 G4 A4 C5 D5 (E5) F5 G5 A5
D Harmonic Lora 20
(Bb2) D3/ (E3) (F3) (G3) A3 Bb3 C#4 D4 E4 F4 G4 A4 (C#5) D5 E5 F5 G5 (A5) (Bb5)
D Harmonic Lora 20 - Marcel Hutter Signature
(Bb2) D3/ (E3) (F3) (G3) A3 Bb3 (C4) C#4 D4 E4 F4 G4 A4 (C#5) D5 E5 F5 G5 (A5)
D Harmonic Minor 20
D3/ (E3) (F3) (G3) A3 Bb3 C#4 D4 E4 F4 G4 A4 C#5 D5 E5 (F5) (G5) (A5) (Bb5) (C#6)
D Hijaz 20
(A2) (C3) D3/ (F#3) (G3) A3 C4 D4 D#4 F#4 G4 A4 C5 D5 (D#5) F#5 G5 A5 (Bb5) (C6)
D Kurd 9
D3/ A3 Bb3 C4 D4 E4 F4 G4 A4
D Kurd 10
D3/ A3 Bb3 C4 D4 E4 F4 G4 A4 C5
D Kurd 12
D3/ A3 Bb3 C4 D4 E4 F4 G4 A4 C5 D5 E5
D Kurd 14
D3/ (F3) (G3) A3 Bb3 C4 D4 E4 F4 G4 A4 C5 D5 E5
D Kurd 17
(Bb2) (C3) D3/ (F3) (G3) A3 Bb3 C4 D4 E4 F4 G4 A4 C5 D5 E5 (F5)
D Kurd 18 - Adam Maalouf Signature
(Bb2) (C3) D3/ (E3) (F3) (G3) A3 Bb3 C4 D4 E4 F4 G4 A4 C5 D5 E5 (F5)
D Kurd 19
(Bb2) (C3) D3/ (F3) (G3) A3 Bb3 C4 D4 E4 F4 G4 A4 C5 D5 E5 (F5) (G5) (A5)
D Kurd 20
D3/ (E3) (F3) (G3) A3 Bb3 C4 D4 E4 F4 G4 A4 C5 D5 E5 (F5) (G5) (A5) (Bb5) (C6)
D Major 17
D3/ (E3) (F#3) G3 A3 B3 C#4 D4 E4 F#4 (G4) A4 B4 (C#5) (D5) (E5) (G5)
D Mystic Low 9
D3/ F3 A3 Bb3 D4 E4 F4 A4 C5
D Mystic 10
D3/ A3 Bb3 D4 E4 F4 G4 A4 C5 D5
D Mystic 15 - Lucas Martins Signature
D3/ (E3) (F3) (G3) A3 Bb3 (B3) (C4) D4 E4 F4 G4 A4 C5 (C#5)
D Mystic 20 - Konstantin Rossler Signature
(Bb2) D3/ (E3) (F3) (G3) A3 Bb3 D4 E4 F4 (G4) A4 C5 D5 E5 F5 (G5) A5 (Bb5) C6
D Mystic 21 - Miguel Pezzuti Signature
(A2) D3/ (F#3) A3 Bb3 (C4) (C#4) D4 E4 F4 (F#4) G4 (G#4) A4 (B4) C5 (C#5) D5 E5 F5 G5
E2 Minor 15
E2/ (B2) (C3) (D3) E3 (F#3) G3 B3 C4 E4 F#4 G4 B4 (C5) (E5)
E2 Pygmy 15
E2/ (B2) (C3) (D3) (E3) (F#3) G3 B3 D4 E4 F#4 G4 B4 D5 E5
E Amara (Celtic) 20
(C3) (D3) E3/ (F#3) (G3) (A3) B3 (C4) D4 E4 F#4 G4 A4 B4 (C5) D5 E5 F#5 G5 A5
E Equinox 11
E3/ G3 B3 C4 D4 E4 F#4 G4 B4 C5 D5
E Kurd 10
E3/ B3 C4 D4 E4 F#4 G4 A4 B4 D5
E Kurd 21
(B2) (C3) (D3) E3/ (F#3) (G3) (A3) B3 C4 D4 E4 F#4 G4 A4 B4 C5 D5 E5 F#5 G5 A5
E Kurd 22
(C3) (D3) E3/ (F#3) (G3) (A3) B3 C4 D4 E4 F#4 G4 A4 B4 C5 D5 E5 F#5 G5 A5 (B5) (C6)
E La Sirena 20
(B2) (C#3) (D3) E3/ (F#3) G3 B3 C#4 D4 E4 F#4 G4 B4 C#5 D5 E5 F#5 (G5) (B5) (C#6)
E Major / C# Minor 19 - Fourpey Signature
(B2) (C#3) E3/ (F#3) G#3 A3 (Bb3) B3 (C4) C#4 D#4 E4 F#4 G#4 (A4) B4 (C#5) D#5 E5
E Phrygian 21
(C3) (D3) E3/ (F3) (G3) A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 (F5) (G5) (A5) (B5)
E Romanian Hijaz 20
(B2) (C3) E3/ (F#3) (G3) A3 B3 C4 D#4 E4 F#4 G4 A4 B4 C5 D#5 E5 (G5) (A5) (C6)
E Sabye (Major) 17
(C#3) (D#3) E3/ (F#3) (G#3) A3 B3 C#4 D#4 E4 F#4 G#4 (A4) B4 C#5 D#5 E5
F2 Low Pygmy 15 - Leandro Nossa Signature
F2/ (Bb2) (C3) (D#3) F3 G3 G#3 (Bb3) C4 (C#4) D#4 F4 G4 G#4 (C5)
F2 Low Pygmy 16
F2/ (C3) (D#3) F3 G3 G#3 C4 D#4 F4 G4 G#4 (C5) (C#5) (D#5) (F5) (G5)
F2 Low Pygmy 17
F2/ (C3) (D#3) F3 G3 G#3 (Bb3) C4 (C#4) D#4 F4 G4 G#4 (C5) (C#5) (D#5) (F5)
F2 Low Pygmy 19 - Pedro Thomas Signature
F2/ (C#3) (D#3) (F3) G3 G#3 (Bb3) C4 D#4 F4 G4 G#4 C5 (C#5) D#5 (F5) (G5) (G#5) (Bb5)
F2 Voyager 16
F2/ (C3) (C#3) (F3) G3 G#3 C4 (C#4) D#4 F4 G4 G#4 C5 (D#5) (F5) (G5)
F Integral 20
(Bb2) (C#3) (D#3) F3/ (G#3) (Bb3) C4 C#4 D#4 F4 G4 G#4 C5 C#5 D#5 F5 G5 G#5 Bb5 C6
F Low Pygmy 19
(C#3) (D#3) F3/ G3 G#3 (Bb3) C4 (C#4) D#4 F4 G4 G#4 C5 D#5 F5 G5 (G#5) (Bb5) (C6)
F#2 Nordlys 15
F#2/ (Bb2) (C#3) (F3) F#3 G#3 Bb3 C4 C#4 F4 G#4 C5 (C#5) (F5) (G#5)
F# Hokkaido 10
F#3/ B3 C#4 D4 E4 F#4 G4 B4 C#5 D5
F# Kurd 23
(C#3) (D3) (E3) F#3/ (G#3) (A3) (B3) C#4 D4 E4 F#4 G#4 A4 B4 C#5 D5 E5 F#5 G#5 A5 B5 C#6 D6
F# Low Pygmy 21
(D3) (E3) F#3/ G#3 A3 (B3) C#4 (D4) E4 F#4 G#4 A4 (B4) C#5 (D5) E5 F#5 G#5 (A5) (B5) (C#6)
F# Low Pygmy 21
(B2) (D3) (E3) F#3/ G#3 A3 (B3) C#4 (D4) E4 F#4 G#4 A4 (B4) C#5 (D5) E5 F#5 G#5 A5 B5
F# Romanian Hijaz 20
(B2) (C#3) F#3/ (G#3) (A3) B3 C#4 D4 F4 F#4 G#4 A4 B4 C#5 D5 F5 F#5 (G#5) (A5) (B5)
G2 Hijaz 18
G2/ (D3) (F3) G3 G#3 B3 C4 D4 D#4 F4 G4 (G#4) (B4) (C5) (D5) (D#5) (F5) (G5)
G2 Minor 15
G2/ (Bb2) (D3) (D#3) G3 A3 Bb3 C4 D4 D#4 F4 G4 (A4) (C5) (D5)
G2 Minor 16 - Konstantin Rossler Signature
G2/ (Bb2) (D3) (D#3) (F3) G3 A3 Bb3 C4 D4 D#4 F4 G4 (A4) (C5) (D5)
G2 Minor 17
G2/ (D3) (D#3) G3 A3 Bb3 C4 D4 D#4 F4 G4 (A4) (C5) (D5) (D#5) (F5) (G5)
G Hijaz / C Harmonic Minor 22
(C3) (D3) (D#3) (F3) G3/ (G#3) (B3) C4 D4 D#4 F4 G4 G#4 B4 C5 D5 D#5 F5 G5 G#5 B5 C6
G Major 20 - Konstantin Rossler Signature
(C3) (D3) (E3) G3/ (A3) B3 C4 D4 E4 F#4 G4 A4 B4 (C5) D5 (E5) F#5 G5 A5 B5
G Oxalis 19
(B2) (C3) (D3) (E3) (F#3) G3/ (A3) B3 C4 D4 E4 G4 B4 C5 D5 E5 G5 B5 C6
A2 Aegean 15
A2/ (B2) C#3 (D#3) E3 G#3 A3 C#4 D#4 E4 G#4 (A4) (C#5) (D#5) (E5)
A2 Dorian 15
A2/ (C3) (D3) E3 (F#3) G3 B3 C4 (D4) E4 F#4 G4 (A4) B4 (C5)
A2 Hijaz 16
A2/ (D3) E3 (F3) G3 A3 Bb3 C#4 D4 E4 (F4) G4 (A4) (C#5) (D5) (E5)
A2 Amara (Celtic) 17
A2/ (C3) (D3) E3 (F3) G3 A3 B3 C4 D4 E4 (F4) G4 (A4) (B4) (C5) (D5)
A2 Harmonic Minor 17
A2/ (B2) (D3) E3 (F3) G#3 A3 B3 C4 D4 E4 (F4) G#4 (A4) (B4) (C5) (D5)
A2 Low Pygmy 17
A2/ (C3) (D3) E3 (F3) (G3) A3 B3 C4 E4 G4 A4 B4 (C5) (E5) (G5) (A5)
A Minor 25
(A2) (C3) (D3) (E3) (F3) (G3) A3/ B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6
A Major 23 - Marcel Hutter Signature
(D3) (E3) (F#3) A3/ (B3) (C#4) D4 E4 (F4) F#4 G#4 A4 B4 (C5) C#5 D5 E5 F#5 G#5 A5 B5 C#6 D6
B2 Amara (Celtic) 9
B2/ F#3 A3 B3 C#4 D4 E4 F#4 A4
B2 Amara 17
B2/ (C#3) (D3) (E3) F#3 (G3) A3 B3 C#4 D4 E4 F#4 A4 (B4) (C#5) (D5) (E5)
B2 Dark Aegean 10
B2/ E3 G3 B3 C4 E4 F#4 G4 B4 E5
B2 Deep Elysian 10
B2/ F#3 G#3 B3 C#4 D#4 E4 F#4 B4 C#5
B2 Onoleo 9
B2/ F#3 G3 B3 D#4 E4 F#4 G4 B4
B2 Ursa Minor 9
B2/ F#3 G3 B3 C#4 D4 E4 F#4 G4
B Mystic 18 - Iago Paiva Signature
(B2) (D3) (F#3) (A3) B3/ (C#4) D4 F#4 G4 (G#4) B4 C#5 D5 F#5 G5 B5 C#6 D6
The Aegean scale exudes a tranquil and serene ambiance, reminiscent of calm, azure seas and gentle breezes. Its harmonious and soothing tones create an inviting soundscape for relaxation and peaceful contemplation.
Play Demo
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A2Aegean15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
A2Dorian15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
A2Hijaz16 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
A2Amara17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
A2HarmonicMinor17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
A2Pygmy17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
AMinor25 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
AMajor23 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22
B2Onoleo9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
B2Amara9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
B2UrsaMinor9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
B2DarkAegean10 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
B2DeepElysian10 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
B2Amara17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
BMystic18 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
CGoldenGate9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
CGoldenGate11 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10
CUrsaMinor11 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10
COnoleo16 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
CAshakiran17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
CMajor17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
CAegean20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
CsRagaDesh9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
CsAnnaziska9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
CsAnnaziska16 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
CsAmara16 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
CsPygmy17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
CsAegean18 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
DAegean20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
DKurd9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
DKurd10 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
DKurd12 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11
DKurd14 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13
DKurd17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
DKurd18 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
DKurd19 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
DKurd20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
DAmara10 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
DAmara19 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
DMystic9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
DMystic10 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
DMystic15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
DMystic20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
DMystic21 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
DMajor17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
DHijaz20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
DHarmonicMinor20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
DHarmonicLora20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
DHarmonicLoraTwo20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
D2Minor15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
E2Minor15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
E2Pygmy15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
EKurd10 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
EEquinox11 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10
ESabye17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
EMajor19 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
ERomanianHijaz20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
EKurd21 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
EKurd22 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21
EAmara20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
ELaSirena20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
EPhrygian21 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
F2Pygmy15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
F2Pygmy16 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
F2Pygmy17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
F2Pygmy19 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
F2Voyager16 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
FPygmy19 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
FIntegral20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
Fs2Nordlys15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
FsHokkaido10 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
FsKurd23 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22
FsRomanianHijaz20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
FsLowPygmy21 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
FsLowPygmyTwo21 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
G2Minor15 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
G2Minor16 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
G2Minor17 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
G2Hijaz18 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
GOxalis19 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
GHijaz22 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21
GMajor20 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
Reverb
Due to the inherent complexity of the building process, transposing or customizing the scale does not guarantee its feasibility or the accuracy of its pricing.

How to Use the Virtual Player

Below you will find everything you need to operate the Virtual Player effectively. The Player offers two main modes:

  • Preset Scale mode: The default mode when you open the page.
  • Custom Scale mode: For creating personalized scales.
Using the Preset Scale mode

General Instructions:

  1. At the top of the page, click 'Select Scale' to choose a scale preset layout. Use the search bar to find or browse scales, or select 'Custom Scale' to switch to Custom mode. Click outside the menu or on the X to close it.
  2. Click on the notes to play individual sounds, or hold down your mouse (or finger) and slide across the notes. You can also use your keyboard, starting with the number row (the lowest note is always 0) and continuing down to the 'Q' row, followed by the 'A' row for higher notes.
  3. Click on the hand icon or the knuckle icon (located at the bottom of the scale) to play percussive sounds. You can also use the '<' and '>' keys on your keyboard.
  4. Click on 'Play Demo' to hear the scale played note by note (both ascending and descending). Click again to stop the demo.
  5. Use the 'Transpose' to shift the entire scale up or down, one half-step at a time, or use the left and right arrows on your keyboard.
  6. Click on 'Reverb' to enable it.
  7. Click on 'Reset' to revert any changes.
  8. Click on 'Port to Custom' to bring the current scale into Custom mode for further customization.
  9. Click on 'Share' to generate a shareable link.

Notes: Due to the complexity of coding principals and cross-compatibility issues, the Mudra Virtual Player might not function properly on the following platforms:

  • Any iOS device.
  • Safari Browser.
  • Firefox Mobile Browser.

For optimal performance, we recommend using the desktop version of Google Chrome or Microsoft Edge. We apologize for any inconvenience this may cause.

If you encounter any bugs, please email us at info@mudrahandpan.com. We appreciate your feedback and will work to resolve any issues as quickly as possible.

Back to Presets
Choose your custom base scale
Arrow
Handpan position
Current Notes
Play Demo
Transpose
Reset
Custom9 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
Custom9Pos2 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8
Custom10 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
Custom10Pos2 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9
Custom11 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10
Custom11Pos2 // it was xMinYMin before trying to fix firefox 1 2 3 4 5 6 7 8 9 10
Custom12 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11
Custom12Pos2 // it was xMinYMin before trying to fix firefox 1 2 3 4 5 6 7 8 9 10 11
Custom13 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12
Custom13Pos2 // it was xMinYMin before trying to fix firefox 0 1 2 3 4 5 6 7 8 9 10 11 12
Custom14 0 1 2 3 4 5 6 7 8 9 10 11 12 13
Custom14Pos2 0 1 2 3 4 5 6 7 8 9 10 11 12 13
Custom15 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
Custom15Pos2 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
Custom16 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
Custom16Pos2 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
Custom17 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Custom17Pos2 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Custom18 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Custom18Pos2 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Custom19 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
Custom19Pos2 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
Where would you like to place the bottom note:
User Choice
Reverb
Disclaimer: Due to the inherent complexity of the building process, transposing or customizing the scale does not guarantee its feasibility or the accuracy of its pricing.

How to Use the Virtual Player

Below you will find everything you need to operate the Virtual Player effectively. The Player offers two main modes:

  • Preset Scale mode: The default mode when you open the page.
  • Custom Scale mode: For creating personalized scales.
Using the Custom Scale mode

The Custom Scale mode allows you to add notes to your handpan and customize your musical options. You can toggle between Top Notes and Bottom Notes at the top of the interface. Top notes are shown in blue, while Bottom notes are in brown. The price will adjust based on your configuration. However, note that the price may not reflect valid information if the setup is unlikely or impossible.

Top Notes:

  1. Add Top Notes: Click on any position on the grid to add a blue top note to your handpan.
  2. Remove Top Notes: To remove a top note, click on a blue-colored note on the grid.
  3. Note Restrictions: You cannot remove brown bottom notes while in Top Notes mode.

Bottom Notes:

  1. Add Bottom Notes: Click on any position on the grid to add a brown bottom note to your handpan.
  2. Placement: Click on any available position around the handpan to confirm its placement. To cancel the action, click on the note in the grid a second time..
  3. Remove Bottom Notes: To remove a bottom note, click on a brown-colored note on the grid.
  4. Note Restrictions: You cannot remove blue top notes while in Bottom Notes mode.

General Instructions:

  1. Click on the notes to play individual sounds, or hold down your mouse (or finger) and slide across the notes. You can also use your keyboard, starting with the number row (the lowest note is always 0) and continuing down to the 'Q' row, followed by the 'A' row for higher notes.
  2. Click on the hand icon or the knuckle icon (located at the bottom of the scale) to play percussive sounds. You can also use the '<' and '>' keys on your keyboard.
  3. Click on 'Play Demo' to hear the scale played note by note (both ascending and descending). Click again to stop the demo.
  4. Use the 'Transpose' to shift the entire scale up or down, one half-step at a time, or use the left and right arrows on your keyboard. The grid will dynamically adjust.
  5. Click on 'Reverb' to enable it.
  6. Click on 'Back to Presets' (located at the top) to go back to Preset Mode. Any changes will remain.
  7. Click on 'Handpan Position' to toggle between note Position 1 or Position 2.
  8. Click on 'Share' to generate a shareable link.

Notes: Due to the complexity of coding principals and cross-compatibility issues, the Mudra Virtual Player might not function properly on the following platforms:

  • Any iOS device.
  • Safari Browser.
  • Firefox Mobile Browser.

For optimal performance, we recommend using the desktop version of Google Chrome or Microsoft Edge. We apologize for any inconvenience this may cause.

If you encounter any bugs, please email us at mudrahandpan@gmail.com. We appreciate your feedback and will work to resolve any issues as quickly as possible.

Virtual Handpan Simulator | Explore Handpan Scales Online

What is a Virtual Handpan Player?

A virtual handpan simulator is an interactive tool that allows users to explore different handpan scales online by listening to note layouts and experimenting with musical combinations. It can be used both as a learning resource and as a fun way to casually explore sounds and create music, even without prior musical experience.

Instead of relying only on descriptions, the simulator makes it possible to hear how each scale sounds in practice, helping musicians, beginners, and enthusiasts better understand tonal structures. By using a handpan scale simulator, users can compare multiple scales, explore sound variations, and gain confidence before choosing or designing an instrument.

Why Use a Handpan Simulator Before Choosing a Scale?

Choosing a handpan scale is one of the most important decisions when selecting or designing an instrument, and using a virtual handpan simulator makes this process more informed and confident. Watching demonstration videos alone is usually not enough to understand each model in its full potential. Listening to different handpan scales before making a choice helps users identify which tonal character resonates most with their musical preferences.

A simulator allows side-by-side comparison of sounds, reducing uncertainty and helping musicians visualize how a scale will feel in real musical situations. This makes the decision process clearer, especially for beginners exploring their first handpan.

Frequently Asked Questions About Handpans and Scales

Preset mode displays pre-configured scales that are ready to explore. It allows you to quickly listen to different note combinations without having to create a scale manually, making it easier to compare different sound characteristics.

Custom mode allows you to create a personalized scale by manually selecting the desired notes. This feature is especially useful for musicians who want to experiment with their own ideas or plan an instrument with a specific note configuration, including when developing a custom design based on a suitable handpan shell for manufacturing.

Yes. Some features allow you to transpose notes to different keys, making it possible to explore the same musical structure across different pitch ranges.

The simulator produces digital sounds that clearly represent the instrument's notes, using sound samples recorded from real Mudra Handpans. While it does not replace the acoustic and physical experience of playing a real handpan, it provides a reliable reference for comparing scales and exploring different tonal possibilities.

Yes. The simulator can be used as a complementary learning tool, helping you recognize notes, harmony possibilities, explore simple rhythms, and become familiar with different scales and note layouts.

Yes. Listening to different scales is one of the most important steps when choosing your first handpan. The simulator simplifies this process by allowing you to compare sounds and identify which tonal character best matches your personal preference before making a decision.

A handpan scale is the specific arrangement of musical notes tuned into the instrument. Each scale defines how the notes relate to one another, creating a unique tonal character and sonic identity. Some scales sound calm and meditative, while others feel bright, mysterious, exotic or dramatic.

Most handpans feature between 8 and 10 notes, including the central note called the ding. Custom instruments and mutant layouts may include 12 to over 20 notes, increasing the instrument's melodic and harmonic possibilities.

Yes, in our opinion. Some scales are considered more beginner-friendly because they are more versatile and their interval structures tend to sound harmonious even when notes are played randomly. Scales such as Kurd, Amara, and Pygmy are often recommended due to their balanced tonal structure and musical versatility.

A diatonic scale consists of seven different notes within an octave, organized in specific patterns of whole steps and half steps. Many handpan scales follow this traditional structure commonly found in Western music.

A pentatonic scale consists of five notes per octave, in contrast to diatonic scales that contain seven notes. Pentatonic scales are widely used across many musical traditions around the world and are known for their harmonious and intuitive sound.